KPVCD001 : "The Journey of the Clay-Horses" & "Kutiraiyetuppu" ©2001

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Introduction

Almost every village in Tamilnadu - with the exception of the extreme South of the state - has a temple or a shrine for the guardian god Aiyanar. The sacred place is normally situated outside the inhabited region of the village, and always near a water-source: river, lake, or - in the absence of both of these - a larger well.

Aiyanar is the main guardian of villages and fields, and he is responsible for the right amount of rain to fall, to ensure a good crop. The deity also sees to it that cattle and other domestic animals prosper and remain unaffected by diseases. At night, Aiyanar and his hordes ride around the village and its fields to keep away all sorts of disturbances and evil influences. In his temples and shrines, the god is surrounded by at least 20 other deities, his subordinates, who help him carry out his duties. One of  these deities - the identity of whom differs in the different regions of Tamilnadu, in Madurai it is mainly the "Dark God" Karuppan - is Aiyanar's main associate and has a higher rank in the pantheon than the rest of the gods. While Aiyanar is a decidedly vegetarian god who accepts only vegetarian offerings like sweet rice (pongal), bananas, coconuts, etc., his associate is always a ferocious, non-vegetarian deity who demands blood sacrifices, and to whom roosters and goats are offered.

In order to be able to guard the village by night, Aiyanar and his helpers need horses on which to ride. Thus, clay-horses are the most important offerings that devotees can present to the deities during the temple festivals which are held every few years. Consequently, the village-potters form the most important community for this cult. Especially in the region of Madurai, in the heart of Tamilnadu, they are so closely associated with Aiyanar and the surrounding deities, that most of the temples of these guardian gods belong to the potters, and they are also the priests.

 

A potter-priest officiates in a shrine of the village-deity Karuppan. - Potters see themselves as direct descendents of the creator-God Brahma and from this derive the right to wear the holy thread -as is seen on this picture.

 

 

"Kutiraiyetuppu" is the festival of the "Installation of Horses". Months before the festival devotees have given orders to the potters for the statues they want to dedicate to the gods. Besides the horses, these include votive-offerings depicting children, domestic animals, etc. which the families want to bring to the attention of the deities. - The night before the festival, all the statues are aligned on the  main place of the village in which they have been manufactured, but which is not necessarily near to the temple in which they are to be installed. The morning of the festival, these statues are consecrated (their "eyes are opened") and then carried in a long procession to the temple. When the statues have been successfully installed in the open within the temple-grounds, vegetarian offerings are prepared for Aiyanar and sacrfices are given to his associate, and the festival ends with a communal feast of the devotees. - After that, the clay-statues quickly sink into oblivion and are allowed to decay.  


The Journey of the Clay-Horses

The Kutiraiyetuppu Festival in the Aiyanar-Temple of Kilakkuyilkkuti
A documentary video by U. Niklas and M. Saravanan. 
Concept and script: U. Niklas and M. Saravanan.
Camera, editing, voice: U. Niklas.
Length: 15'17" mns.  - ©2001


 

This short documentary concentrates mainly on the procession as the most important part of the Kutiraiyetuppu festival in the Aiyanar-Temple of Kilakkuyilkkuti (or "Kilakkuti").  This processions winds for about 5 kilometres between rice-fields and small groves.

The preparation of the procession and the hierarchical alignment of the clay-horses are discussed in some detail, as well as the role of the "Camiyatis", Goddancers who are possessed by the deities. The film moreover throws a second glance at the Aiyanar temple a few days after the festival, and thus highlights the only temporary nature of the statues' "sacredness".

 

 

Clay-Horses aligned on the main place of Vilacceri-village
from where the procession will start out.

The Camiyatis - entranced God-Dancers - lead the procession

 

 

A thick crowd of devotees throngs in the potter's
courtyard

The "Royal Horse" is worshipped

Kutiraiyetuppu

The Installation of Clay-Horses in the Aiyanar-Temple of Melakkal
A documentary video by U. Niklas and M. Saravanan. 
Concept and script: U. Niklas and M. Saravanan.
Camera, editing, voice: U. Niklas
Length: 25'58" mns.  - ©2001


 

The aim of this documentary video is mainly to impart some of the atmosphere of such a festival in a South Indian village. The first half of the film shows preparations and happenings in the "potter's courtyard" and in the village, before the start of the procession: Percussionists and dancers erform a "Karakattam" folk-dance in the centre of the village; three old men in the potter's courtyard improvise songs praising the gods and the potters, and thus give evidence of  undiluted folklore in its original settings; the sacrificial goat delays showing the conventional signs of being accepted by the gods - a situation that creates great tension among the devotees; starting the procession with the "Royal Horse" proves to be a major logistic problem; ... - The second half of the film is settled in the Aiyanar-Temple and shows the arrival of the statues and their installation in the evening of the first festive day, and the preparation of offerings and sacrifices to the different deities.


KARUPPAN productions

M. Saravanan